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Beam heritage

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Mustafina's beam at the Antwerp World Championships may well have expressed the Code to its fullest artistic potential in that event final, on that day.

But what has the additive Code, and other progressive changes to the sport, done to beam?

One of the most beautiful beam routines ever can be found here.


Soviet Union/Russia versus Romania - Arte 1 documentary

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I hadn't seen this fascinating documentary before last week.  It provides some great history on the heritage of the sport.  In German, with English subtitles.

Part 1



Part 2



Part 3



Part 4








Panel discussion, Rodionenko, Shevchenko, Mustafina - full video

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The RGF has now published links to the full video of  'Countdown', a programme in which the Seoul Olympics gymnastics competition of 1988 was discussed, with some comparison to today.  It is in total an hour long programme. 

I wonder if anyone is feeling strong enough to provide some summary translation of the second part, or of fragments they feel are interesting? 

I am copying Captain Hook's translations of the first part below, from his comments to my original post about this discussion. My post turned out to be somewhat out of context with the overall programme so I am glad for an opportunity to present the video in its entirety, in the hope that a fuller translation will set the record straight.   Many thanks again to the Captain!

Part 1

Part 2

Part 1



Part 2




Host: This Olympics ( I guess he means 1988 Olympics- beginning of this video is cut off ) was very successful for both soviet teams, men and women. They won a lot of gold medals. In other words it was very memorable Olympics for our gymnastics and today we will speak with people who were participants on this event.
Then hosts introduces the guests of the show: 1988 Olympic Champion Elena Shevchenko, regular guest V-Rod, A-Rod and special guest Aliya Mustafina and add that this is unusual for them to have still active gymnast as a guest and they will ask her about modern gymnastics later in the program. They call Aliya 'rare bird' and clumsily trying to decide on what kind of rare bird she looks like, but nothing is come to mind and they postpone solution for later. Then they complimented Elena and first questions directed to Elena and A-Rod as participants of 1988 Olympics.

Elena: answers usual stuff you can here in every other interview of the Olympics participant: existing, to young to fully understand, responsibility, every athlete dream,a lot of work, luck.

A-Rod: The hardest thing was to assemble the team, because soviet gymnastics pool was very strong and they were able to assemble 2 equally strong teams easily. That's why soviet championship and soviet cup were the hardest competitions for gymnasts and trainers. Level of competitiveness was very high and we don't have this now. Level of competitiveness from the other world teams was lower, then now and soviet team trainers often chose bright, memorable personality's over great technicians. The next Olympics was after the fall of Soviet Union and this was the end of soviet gymnastics.

Hosts: sad.
Elena: Confirms the words of A-Rod about the importance of the soviet championship.
A-Rod: He has clear memory about Olga Mostepanova: after winning some big competition before the Olympics she said to the correspondent, that she isn't sure, if she will be the part of Olympic team, it will be clear after the Soviet championship.

Host: blablabla
V-Rod: Modern gymnastics are a lot harder for sure, but we still can learn the high level of execution from the gymnasts of the past. Modern level of execution is lower but we are trying to balance the difficulty with execution. We still better in execution than everyone (my rehashing). Modern gymnastics emphasise difficulty over execution, but in late CoP they try to return some artistry and this is good.

Host: blabla
A-Rod:Yes, artistry is slowly coming back and we are the reason of it. I spoke with many judges and they want soviet gymnastics back. You can look at our London Olympics team: Aliya, Komova, Grishina, Afanasieva and they are soviet class gymnasts, despite higher difficulty level.


Host: We spoke with many athletes from different sports and they all agreed on devastating effects caused by the collapse of soviet union in the early 90-th. we lost a whole generation.

A-Rod: Yes. I can give you example: after watching Xeniya Afanasieva many people are saying with nostalgia: this is real soviet gymnastics. This is brand, mark of quality.

All together: Remembering the great Olga Korbut.
Host: Same level of excitement I experienced while watching Aliya winning beam against all odds. Aliya, what do you think about beam routines from that time (Boginskaya, Shushunova) ? They made our gymnastics famous.

Aliya: They different for sure. It was beauty and class over difficulty, and now difficulty is more important. They were a lot more beautiful, then modern routines.
Host: blablablabla. Where is the balance of difficulty and execution?

A-Rod: Atop of all, rules for the competition is different now. Old rules for team competition were- 6 are competing and 5 scores counts, modern rules- 3 are competing and 3 scores counts. There's no margin for errors and this is very unnerving for a gymnast. We tried this system home and it was really stressful for all gymnasts. High stress level causes high error count.

Host: Elena, what do you think about modern gymnastics? Compare it to your time in gymnastics.

Elena: VT and FE are not that different. UB and BB are much more difficult now. I couldn't do modern UB, its to difficult for me. ( laughing )

Host: So modern WAG is not so different after all?
A-Rod: Aliya's program is much more complicated, than old programs.

Ending 2013, looking forward to 2014, and some words from Valentina Rodionenko

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Evgenia Shelgunova.  Picture: Olga Terentyeva

Valentina Rodionenko has outlined the Russian team's plans for the coming months in a recent press statement, highlighting the next major competition for March 2014,the Russian Championships in Penza.  This will be the qualifying event for the European Championships, to take place in Sofia, Bulgaria, next spring.

All the team's major players are back in training now, but not at the most intense level, says Rodionenko. The gymnasts are now working with their coaches to develop new difficulty for their exercises, or to change the composition of their existing routines. 'It is very important that all of them begin the new season in optimal condition', said the head coach.  'On the 22nd, the teams will go home after their current training camp at Round Lake. They return on December 4th, and this year they will go home again on the 20th December.'

Olympic all around silver medallist Viktoria Komova has only just recovered from her illness earlier this year, but Rodionenko was keen to emphasise that Anastasia Grishina has completely overcome the problems of back pain that prevented her from contending for a place on the Antwerp World Championships team earlier this year.  It is clear that preparing well for next year's competitions and remaining in good health is vital to the aspirations of the Russian team: 'We are not competing against Romania, but the United States', said Rodionenko.

Elsewhere, the Russians have confirmed who will compete in the team competition at the DTB Cup (30th November to 1st December), though it is as yet uncertain who will compete as individuals.

Women
Aliya Mustafina
Tatiana Nabieva
Anna Rodionova
Yekaterina Kramarenko

Men
Dmitri Stolyarov
Daniil Kazachkov
Pavel Pavlov
Nikita Lezhankin

I am glad that Anna Rodionova is getting some competition experience alongside her more senior team mates.  She competed at the Massilia Cup this weekend with Ekaterina Kramarenko, Evgenia Shelgunova and Alla Sosnitskaya, but despite her clear potential and superior technique was the only Russian not to take a medal in France.   I would certainly hope for better from her in the coming year.  Alongside first year senior Maria Kharenkova, she should be able to lead a good reserve for the Russian team in 2014.

In Marseille Kramarenko continued the good quality work shown during her Universiade comeback, taking bronze all around and silver on bars. Newcomer Sosnitskaya did well to take the gold on vault; and Shelgunova, in her first proper outing for the senior team after a long period of injury outages, took bronze on beam.  Not a bad weekend for a Russian B team, who were competing against some of the top Romanians including Larissa Iordache and Andreea Munteanu, although I find the regression in vault D scores amongst the Russian team rather worrying.

You can find full results of the team and all around competition in Massilia here, and the event finals here.  Piibunina has also uploaded plenty of videos at his Youtube channel.

We also have the Voronin Cup to look forward to, from 1st to 5th December.

Moscow Dynamo sports video - Emin Garibov/Yuri Kotov

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Moscow Dynamo are developing a video project where sportsmen across different disciplines are sharing their sports. Here, Emin Garibov shares gymnastics with Dynamo footballer Yuri Kotov.

You can also find pictures at Moscow Dynamo's Facebook page.

Mustafina and cat

Sad, but happy ... Anna Pavlova will compete again ... For Azerbaijan

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Anna Pavlova, who last competed for her home country of Russia at the 2008 Beijing Olympics, and has maintained a solid presence on the domestic circuit since, today announced that she will prepare to compete for the Azerbaijan national team at the 2015 European championships, which will take place in the Azerbaijan capital city of Baku.  Her mother, who is Anna's personal coach, will take up a position as Azerbaijan's national coach.  Working alongside Anna will be 2011 World Championships team member, 2012 Olympic reserve Yulia Inshina from Voronezh.  On the men's side, rings specialist Konstantin Pluzhnikov will also make the move to the Azerbaijan team.  All the gymnasts will be working at home in Russia, as there is no equipment available in Azerbaijan.  Pluzhnikov is considered a world medal contender on his specialist piece, the rings, and Pavlova has regularly beaten national team members on vault, beam and floor in Russian domestic competitions.

Pavlova says the gymnasts will receive payment if they win medals, but there is otherwise no financial incentive for them.  She has wanted to compete internationally for many years, but the doors to the Russian national team have been closed to her despite the fact that there are many young team members at European and World Championships who have never beaten her at home.  She does not want to discuss this in more detail before her retirement from competitive sport, but it is clear that it is a situation she finds unfair, and which gives her pain.  If she is in good shape and does well in the 2015 Championships, she says she will attempt to qualify for the 2016 Olympics in Rio.  

Pavlova, an international fan favourite, is known for her graceful presentation and strong beam, floor and vaulting work.  In 2009 she suffered a serious knee injury for which she still wears heavy support.  Head coach Andrei Rodionenko has cited the injury as a reason for Pavlova's exclusion from the team, saying it would not be 'respectful' to the gymnast's health to expect the heavy loads of training required consistently at the top level, but Pavlova has nevertheless regularly taken medals in competition against national team members since her rehabilitation.  Given Russia's problems with strength in depth, and their relative weakness in the events Pavlova favours, her continued exclusion has been controversial.  Her transfer to the Azerbaijan team seems to be a measure of last resort.

Azerbaijan's last Olympic level gymnast was Soviet team member Valeri Belenki, who won gold all around at the 1990 World Cup and bronze at the 1992 Olympics.  He is now a senior coach for the German MAG team.

There is an interview with Anna at http://www.allsportinfo.ru/index.php?id=77893.

S sEtch

Anna Pavlova interview - YOU ask the questions

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Anna with her team mate Maria Nekrasova today.   Maria competed in this spring's Russia Cup and will join Anna on the Azerbaijan national gymnastics team.  Picture courtesy of the Azerbaijan Gymnastics Federation on Facebook.

As Anna prepares to compete at this week's Voronin Cup, representing Azerbaijan for the first time, RRG, in collaboration with Anna's authorised website Anna Pavlova Online, would like to invite readers to submit their questions for an interview with Anna.  What have you always wanted to ask one of Russia's best gymnasts of the last decade?

Each reader may submit up to three questions.  We will collate and if necessary edit the questions and Anna will answer the ones she finds most interesting.  Please add your questions as comments to this blog, or you may email them to me at rewriterussiagym@btinternet.com.  We hope to publish the final interview on both websites by Christmas.

Many of you must dream of having a conversation with Anna - this is the next best thing, so come on, make sure to participate in this exciting opportunity and try to make it the interview you would want to read.   I already know what my questions will be!  :-)   Please send your ideas or comments by 8th December latest.

With many thanks to Anna Pavlova Online, who are making this possible, and of course to Anna herself for finding the time in her busy schedule to answer your questions.





Nikita Ignatyev - iPhone nightmare

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I think Nikita Ignatyev has some hidden talents ... He's much more than just a gymnast, you know ...

http://m.youtube.com/watch?v=mIIslqn5KSU&feature=youtu.be&desktop_uri=%2Fwatch%3Fv%3DmIIslqn5KSU%26feature%3Dyoutu.be

From Nikita's personal VK site, via YouTube :-)

Aliya Mustafina wins Journalist poll 'Silver Doe'

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2013 European and Universiade All Around Champion, World beam champion Aliya Mustafina has been awarded a Silver Doe Award in a poll of the best Russian athletes of the year conducted by the Federation of a Russian Sports Journalists. Pole vaulter Elena Isinbayeva won the overall title of athlete of the year.



Congratulations, Aliya!!!

http://www.itar-tass.com/sport/842376


Larissa Latynina - Russian gymnastics and perestroika

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Olympic legend Larissa Latynina has been reflecting on Russian gymnastics in an interview with Pravda, and I am summarising below a paraphrased version of what she has said.

Interesting that Russia is now beginning to reflect on the brain drain and loss of investment dating back to the 1990s and early 2000s and that is now affecting their competitive results.  There is also a fascinating article on the mass exodus of coaches, including interviews with Valery Belenkyi, Vladimir Vatkin, Andrei Popov and Alexander Alexandrov.   I am hoping to have it translated for you in the coming weeks.  

In the meantime, Larissa's words reflect so much of what has been covered in this blog over the last year.  Someone of her profile and significance speaking openly on this subject in the Russian press must show that her country is beginning to consider the loss, and perhaps the measures necessary for a recovery - if desired.

"You know, I want to tell you that we lost a lot during the period of re-adjustment ('perestroika').  We lost some of the coaching staff - the border opened, and people realized that that they can travel, and they do.  There were people over there who earned a lot more than we did.

So it is no wonder that now our coaches work all over the world.  Their teaching was better.   We had a great specialists, and we had a lot of children's sports schools. But when all the coaches began to disperse, there was nobody to work here, schools were closed, gymnastics sections in clubs were closed - Dynamo, CSKA Moscow, the trade unions, it all went.  Now it is not surprising that, while earlier in the championship of the Soviet Union we had about 150 people competing, now we have more like 24.  Not really enough to choose from.  That's scary. 

And I think that now, in the last few years, the Gymnastics Federation has very seriously paid attention to the development of sport, to the development of children's sports schools.  Thankfully, the head of the RGF is also President of VTB, which means there is money.  Because right now, in this life, as they say, just taking a step without money is impossible."

Is Nabiyeva retiring?

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Tatiana Nabiyeva has fuelled rumours this weekend of her retirement with a number of indirect postings on social media sites.   But nothing she has said at present is clearcut or official, and for me to say more would be mere speculation.

Wait and see is the best policy.  Russia might still need Tanya - I hope so.

If and when I hear anything more certain, I will post the information here.  In the meantime, Happy Christmas to one of Russia's best competitors of the last four years, a stalwart team mate, great friend and entertaining gymnast.

Where have all the Soviet coaches gone?

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British Head Coach Andrei Popov took up his position in 2004.  Before that, he had been a successful international gymnast competing for the Soviet Union, a coach at his home gymnastics club in Vladimir, and a club coach working in the UK.

Russia Behind the Headlines has published a digest of a Russian language article about the migration of coaches abroad following perestroika.  It features British MAG head coach Andrei Popov, who with his colleague Sergei Sizhanov (Head coach of the junior team) is leading the British men to greater victories than ever imagined possible just ten years ago.

Popov and Sizhanov are arguably the most successful migrant Russian coaches on the men's international scene, having lifted British gymnastics from a relatively lowly standing to their medal-contending status today.  Popov says that when he took over leadership of the coaching efforts, there were hardly any top seniors competing in Britain, so he looked for the best juniors:

“I scouted throughout England, and found five or six people. A year later, we competed at the European championships and, to everyone's amazement, took fourth place. These same guys won the team bronze medal a few years later at the London Olympics, the first one in 100 years," said Popov. "The more I work with these guys, the more I am impressed by their work ethic. We trained for three hours in the morning and for four hours in the evening. They handled it just fine. The authorities saw our progress and found additional funding."

You can read more about the shifting power relationship between British and Russian gymnastics here.

Former Soviet and Russian WAG Head Coach Alexander Alexandrov also speaks about his experiences in Brazil, comparing the country to his former adopted professional home of the USA.

"Brazil also has its problems. There are not even any decent gyms,” he said. “There, like in America, gymnasts train in different clubs. But, unlike in the U.S., the clubs are not well run. Therefore, it's necessary to have centralized training for the national gymnastics team. And I'm still struggling with the notorious language barrier."

In the original article other coaches were also discussed, including Valery Belenkyi (Azerbaijan-Germany) and Vladimir Vatkin (Belarus-Australia).  I will try to draw out the most important information and fill in any gaps in the coming days.

Tatiana Nabiyeva has confirmed her retirement

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Alan Owen has confirmed via Tatiana herself, as per the Facebook page of Tatiana Nabieva Online, that Tatiana is retiring from competitive gymnastics.

As one door closes, another opens and I feel sure that Tatiana will continue her involvement in the sport as a coach, first of all at home in her home city of St Petersburg where she is studying at he Lesgaft Institute, but then, who knows where.

Tatiana has competed internationally at all levels from friendship to World Championships, from a very early age.  She has made friends everywhere she has travelled in the world, and is well known for her spontaneous and emotional character, a very likeable gymnast who seems to love people as much as she loves her sport.  Her feisty competitive spirit and fierce support for her friends and team mates were a missing ingredient on the Russian Olympic team in 2012, but she made a believable comeback in 2013, contributing to the Russian team's domination of the Universiade in Kazan.  

As a junior 'Nabs' looked likely to contend with her close friend Aliya Mustafina for all around medals during her first senior year, 2010.  Powerful vaulting and innovative work on the uneven bars - where her straight Tkachev earned her accolades - made her a credible threat at world level.  Her beam work too, outstanding at junior level, was much underrated as a senior.

Tatiana took a well deserved silver medal on the uneven bars in the 2011 World Championships, and was a linchpin of the Russian team's gold medal performances in 2010 at both European and World level.  Back pain hampered her progress, however.    These outstanding achievements were a highlight in a too short international career.  But Tatiana will be remembered for much longer, and I hope her face will become a regular appearance on both the international and domestic scene as she progresses in her coaching career.

Good luck, Tatiana, we will remember you, miss you, and wish you well.

Aliya Mustafina - a Happy New Year song

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This video was made by VTB, Russian bank and sponsors of Russian gymnastics.  Aliya sings part of a happy song to wish all their friends a good new year :-).

http://m.youtube.com/watch?v=t-S4cpaPR4Y&desktop_uri=%2Fwatch%3Fv%3Dt-S4cpaPR4Y



The State of the Art - Gymnastics in 2013

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Just picked up Peter Aykroyd's 1987 book International Gymnastics: Sport Art or Science?.  Seeing it reminded me that gymnastics is in a constant state of flux and change; its identity has been subject to debate and conflict since the earliest days of competitive gymnastics, well before it existed in the form we recognise today.  I want to try to talk about the state of the sport today, how it compares to past models, how it arrived at this point, and what are the questions arising.  

I make no apologies for publishing the picture comparisons on this page, which were created by Lifje.  Some have seemed to find them rather challenging in the past, but they are not airbrushed or altered in any way.  Yes, the pictures are purpose selected for the sake of comparison, but they express a truth about the direction the sport has taken over the past few years.  They are not so much about Russia versus America as artistry versus athletics.  I do not pretend that Russia today owns artistry in the same way as it once did.  Gymnastics has been subject to mass migration since the downfall of the Soviet Union, and as Carter (2011) says, this migration brings with it changes to the cultural form of any sport, resulting in a 'transformation of [its] meaning and value' (p. 189).  The Soviet/Russian tradition has survived better in its home than anywhere else in the world, while American gymnastics epitomises the powerful, athletic style that is now the winning model of the sport.  Lifje's comparative collages speak more clearly than thousands of words.  Just use your eyes.

I have been meaning to reflect on the state of women's artistic gymnastics following the victory of Simone Biles in Antwerp this autumn, but finding it very difficult as the terms of reference within the sport have changed so significantly, even just in the past decade since the imposition of the additive Code.  It seems to me that the sport has turned a corner, away from the lyricism of the past, towards a very large question mark in the future.  I like Biles; in my opinion, she is a pure and honest expression of the American school of gymnastics, the best gymnast America has produced by far to date, and perhaps their best ever.  Her power, spontaneity and energy is, in its own way, as charming as the chutzpah and intricacy of Omelianchik. 



I do wonder, though, what will come next, and whatever happened to the deductions for those oh-so-enormous hops on every floor landing (Simone reminds me of Diane dos Santos in this respect).  In 1987 Soviet Alleftina Priakhina performed the double double somersault in her floor exercise at the Moscow Europeans.  She never landed it perfectly, and was never the USSR's most graceful gymnast.  Trained by Mikhail Klimenko in Moscow after an early start in Almaty, where she had worked with the young Oleg Ostapenko, Priakhina expressed the spirit of innovation that was prevalent in Soviet sport at the time.  1989 World Champion Svetlana Boguinskaia also briefly toyed with the double double, but was forced to drop the move in order to elevate her all around skills to the level that earned her legendary status in the sport. 

Difficulty was rewarded then, but the rewards were moderated with an eye to the fostering of properly regulated progress in the sport, encouraging the development of virtuoso performance, difficulty with grace, a position where the mastery of skills was so engrained that it was possible to perform and to embed the skill within a showcase of outstanding technique, form and expression.  When Chusovitina first performed her immensely powerful tumbling in 1990, it was tempered with fantastic technique and accuracy.  She was not the most artistic or expressive gymnast on the Soviet team, but her technical prowess earned her medals at the 1992 Olympics (and, of course, she is still competing today). Moving back in time twenty years, and shifting eastwards to Moscow, Biles would perhaps have made the same team, with significant improvements to her form and landings.  The Soviet choreographers might well have ironed out problems with amplitude, extension and posture in their early years training, but without such improvements she would have remained a memorable member of the USSR display team, or might even have been transferred to another sport more appropriate for her athleticism.

There are those who would say that Biles gymnastics represents progress.  A few others who might suggest the removal of 'artistic' from the title of the sport altogether.  They are at least the honest ones.  The FIG has tinkered with the Code to the extent that expressions of artistic judgement no longer exist anyway.  A competition environment has developed which has seen artistry wilt in the main.   The Code is now a tool by which exercises are measured, the marking of form, execution and artistry has become so prescriptive as to make it impossible to note in any meaningful fashion.  Any gymnast who 'does' skills 'without error'  can score highly regardless of how the skill looks.  My gymnastics is based on the assumption, 'it's not what you do, it's the way that you do it'.  World gymnastics seems to be based on the assumption 'just do it'.



Some might say that this represents a more democratic form of gymnastics; based on the participation model of the USA.  Those gymnasts who work hardest, achieve the greatest fitness and practice skills to perfection can achieve the greatest results.  But this is a moral, rather than a sporting, argument.  When British coach Christine Still commented on such qualities at the recent World Championships, it was as American Kyla Ross mounted the beam in event final.    When Italian gymnast Carlotta Ferlito spoke of the result at the same event, the Russian Aliya Mustafina's gold medal was attributed to good luck.  The Americans have fought and won both a semantic and a sporting battle in the world of gymnastics.  They even have media commentators to back them up, accusing the enemy of 'diva' behaviour.  This is neither democratic, nor fair to the female gymnasts who are subject to personal judgements that their male counterparts do not suffer.

If we discuss gymnastics as a political entity, considering its status today as 'democratic', then a consideration of gymnastics as cultural capital logically follows.  Bourdieu states that cultural capital exists wherever there is a struggle.  Within gymnastics there is a tangible struggle between those who believe the sport possesses dimensions beyond the measurable, and those who seek to confine the sport within the constraints of measurability.  Before we can decide that gymnastics has become more democratic, perhaps we should consider who owns gymnastics?  The athletes, who participate in the sport?  The coaches and choreographers, who create new champions and so often dream up the amazing new combinations that thrill us in competitions?  The judges, who mark the routines and thus determine who or what is considered to be the epitome of gymnastics at a particular point in time?  The Technical Committees, who make the decisions about how the sport will be marked?  The fans, who pay money to see competitions?  The media, who influence how we see the sport?  The winners, the losers?  The sponsors?  Governments who put money into training programmes? 

All these are actors in the field of play, yet single voices dominate the way the sport has developed, and a prescriptive Code precludes discussion of the bigger issues.  Recently, proposals have been made to change the WAG Code, yet again, with a stated view of improving the standard of artistry in the sport.  You will not hear them discussed on this blog, however, which refuses to accept the authority of the Code's terms of reference,  The proposals are piecemeal and didactic in nature.  Their discussion at the WTC will necessarily preclude discussion of the bigger issues of artistry in the sport, what it is and how it can be judged fairly.  To improve the marking of artistry requires an understanding of the larger issues that inform world view, and a resulting discussion and agreement on the methodology.  The FIG has, publicly at least, skipped this stage of considerations.  It has adopted a model that almost totally eliminates the rewarding of artistry, and that requires an immense quantity of detailed discussion and study.  Thus its stakeholders are constantly preoccupied with the job of keeping up with the ever changing Code of Points over which it alone presides, making it impossible for anyone to ask the bigger question, 'which direction do we want to travel?' Changes to the sport have been anything but democratic, wool has been pulled over eyes, and now hardly anyone dares to point and laugh at the Emperor's new clothes.  

This discussion doesn't answer any questions, least of all why it is that men's gymnastics has reached a better conclusion to date than women's.  It is surely the more artistic 'side' of the sport today, even if that is not recognised in the Code.  The number of top competitors in the all around has flourished, unlike in the women's sport where there are but two or three genuine contenders for gold, all fragile and injury prone, often with the competitive lifespan of a butterfly.

The harsh truth about women's gymnastics is that the all around competition has, largely, faded away.  I wonder what the sport will look like in 2016? 

These are just my thoughts on how I see things stand at this point in time.  No doubt things are less gloomy than they seem on this grey and windy December day.  This is a rambling post, I know; I need to start thinking about these issues again after a long break from blogging that has been dictated by work and personal issues.  Please comment!  

Carter, T F (2011) In Foreign Fields: The Politics and Experiences of Transnational Sport Migration  London : Pluto Press



What did Alexander Alexandrov actually say?

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Believe it or not, only four months have passed since RRG published its interview with the former WAG national coach of Russia, less than a year since Alexander Alexandrov left Lake Krugloye (for good?), and not even 18 months since Russia took the silver in that Olympic team final.  So much has changed in Russian gymnastics since 2010 ... there has been a toning down of expectations, a growing hush around goings-on at Lake Krugloye, an almost deliberate talking down of the prospects of the next generation (who are, admittedly, very thin on the ground).  I am speaking here exclusively of WAG - the situation in MAG seems different and will not be addressed in this post.

Checking the statistics of my blog readership is an almost daily activity for me.  Finding links to my blog posts is always a surprise, and I am delighted that anyone finds time to read my blog at all, let alone comment on it!  When I published the Alexandrov interview I knew there would be plenty of attention. It has been a joy for me to discover that my fascination for the intricacies of Russian gymnastics, and how they reflect the broader picture of Russian culture and society, is shared all over the place.  The first part of Alexander's interview with me is the single most read post on this blog, which has to date received in total over 2.3 million page views and is followed on Facebook by more than 2,700 readers. My Alexandrov interview has also been translated into Russian, French and Chinese, so its readership has been far wider than if it had remained on RRG alone.

I have followed Alexander's career right from the early days of Bilozerchev's emergence as Junior European Champion in 1982.  During the Soviet era and beyond, the coaches provided a link of continuity from one generation of short-lived competitors to the next.  They also gave a depth of verbal commentary and analysis that was usually inaccessible from the competitors themselves.  Young girls do not often have much of great interest to say, and hyper-talented gymnasts (who have mostly known not much more than the inside of a gymnasium) still less.  So a mature coach's politically aware, often very eloquent, commentary provided some depth to the developing gymnastics narrative.

The story of Alexandrov is doubly engrossing in that it also involves closely another leading coach of the Soviet era - Andrei Rodionenko.  Of course, it is only natural that these highly driven, leader types will occasionally clash.  (Read Zaglada's (2010) From East to West for more examples (the author is another highly engrossing character)).  Much of what a coach will say is dictated by his or her professional responsibility to promote the best psychological environment for the gymnast, and in a subjective sport like gymnastics to 'set the scene' and establish the assumptions upon which the judging decisions will be formed.  The Soviet coaches were supreme in this respect.  Read closely any interview with Rostorotsky, Arkayev, Alexandrov, Aksenov - almost any of this ilk and era - and you will find in the vocabulary themes of artistry, innovation, work ethic, sacrifice, the victory of the human spirit.  All of these set the tone for the way the sport was perceived and judged, providing the Soviet gymnasts with the moral upper hand.  (There was, incidentally, never any problem rewarding artistry in those days ...)  How sad, though, that twenty years later a Russian 'coach' used the power of the coaching narrative in a battle against her own gymnasts and coaches ... 

In his interview, Alexandrov reveals some little-known history of Rodionenko's time as Soviet WAG head coach in the mid-1980s, including the shocking defeat of the Soviet women in 1987 and Rodionenko's subsequent sacking after the 1988 Olympics.  While Alexandrov goes easy on Andrei R at this point, it is clear that the smaller man would have sufficient hurt pride to want to deny the other credit for his victories.  I am not sure that everything can come down to simple jealousy, but in this one story Alexandrov opens a can of worms that Rodionenko has yet to answer at all.  Rodionenko, unlike his larger than life wife, is a quiet man, and uses this to his advantage.  
I confess I sometimes feel sorry for Valentina, who comes across to me as a woman out of her depth, desperately trying to do the right thing by her family, and set the world into some kind of moral order.  Valentina has not always been so audibly protective of her clan, and one wonders if her husband's illness (c 2010) has had anything to do with the outspoken verbal attacks that ultimately led to Alexandrov's untimely departure.  In person, Valentina is probably the kind of Russian grandmother who stops strangers in the street to scold them for not dressing up warmly against the harsh Russian winter.  Given the scale and broadcast capabilities of the internet, her nature has become a PR disaster for the Russians.

Alexandrov's career has spanned two very different historical eras - pre- and post-Soviet - oh, and  there was that very uncomfortable bit in the middle where no Russian knew where they were going or how they would survive (the time that left an enormous scar on the face of gymnastics that we are beginning to see only now).  When I first interviewed Alexandrov, back in 1989, Gorbachov's post-chill era of Glasnost (openness) was in full swing, but it still seemed unusual to be talking with a Russian.  The facial expressions of Russian men are much more stoical and seem to lack animation compared to Western norms, so I expected a difficult time.  I was mistaken.  In fact, gymnastics had long since celebrated the spirit of Glasnost.  We had been told that the Soviet politicians wanted to use sport to convince their Cold War enemies of the superiority of their system.  Perhaps they achieved this, but they also made us love their gymnastics.  Once gymnastics fell into the hands of the sports practitioners, the politics became less important, people made friends and discovered they were the same in many ways.  Listening to Alexandrov speak in 1989 was no different to reading his words in 2013 - they are the same person.  Alexandrov's candour is his strength, chilly political weather or not.

When his daughter, Isa, approached me in July to invite me to interview her father - I almost shot through the ceiling in surprise.  Later, I understood that this blog was the right place for an English language interview because the context had already been set by means of the many translations of Russian language newspaper articles by Lupita, readers' comments on them (largely supportive of Alexandrov and usually damning in their response to Valentina) and my analyses and stories of how Russian gymnastics was developing.  My 'small' personal blog, my almost obsessive focus on Russian gymnastics and what makes it tick, and the social networking connections of the internet opened up a new angle on Russian gymnastics - it isn't 'all my fault' that Valentina was unleashed on the world at large, but I do have to take a little responsibility for it.  It was also true to say that Alexandrov had been asked by the Russian Minister for Sport to maintain air silence in the Russian press.  I am not sure why.

I understand from a source close to the Russian team that people were quite surprised to hear that what they had said in the Russian press had reached the ears of English language speakers outside of Russia.  Valentina has been more careful recently, and there have been some interesting pieces of journalism emerging in the Russian press, some even with English language translations, like the recent article on the migration of coaches that you will find linked on this blog.  It is not without precedent for the Russian press to write something interesting, and I am not trying to say that gymnastics has single-handedly changed the nature of Russian journalism.  But perhaps Russia's world view is shifting, barely perceptibly, to embrace a less parochial standpoint on sport than one that believes that only Russians are interested.  Other internet-related phenomena have occurred, forcing an outward shift in focus in some of the Russian press, and the recent release of many high profile political prisoners, in the run up to the Sochi Olympics, shows that Russia is becoming more conscious of its public image in the rest of the world, even if only for a short while to avoid embarrassing protest at the Games.  But speaking more locally, the gymternet and its response to the furore caused not only by Alexandrov (who actually spoke out very little until his interview with me) but more by Valentina Rodionenko has, to an extent, made Russia aware of the international interest in its gymnasts -  I hope they use it to their benefit, and that we can read more and more out of Russia.

The interview and its implications have still been nothing like comprehensively discussed or analysed in the English language media.  Some people have maintained a frosty silence on the subject.  I can't completely understand why, for example, IG has not even linked to the interview - it surely would not compromise their impartiality or relationship with the Russian team, and it is hard to imagine an equivalent situation where the leading football magazine did not cover the falling out of Sir Alex Ferguson with Wayne Rooney, or any one of the many controversies surrounding this mercurial individual.  I would add, there is a great deal more depth to Alexandrov's story than has been realised, and the tabloid treatment it has been accorded in certain corners does it no justice at all.  It was a very difficult article to publish, not just because of its volume but also to edit and contextualise sufficiently for the specialist audience who read this blog.  I can envisage it will give me a lot of work for a very long time.  There is already a book chapter in press, to which the interview has contributed.

There was a time when I thought that the interview would never really happen, that what had to be said was too complex to express simply, and risked too many reputations.  In the end the mere fact that Alexandrov was prepared to say so much speaks volumes for the desperate situation both he and Russian women's gymnastics has faced.  

I still do not believe that the full story has been revealed, nor have the full consequences yet been felt.  There will always be more questions, but Alexandrov must get sick of the subject.  The Rodionenkos must have their own story to tell and I feel sad that they have not so far comprehensively and openly responded, but I suppose perhaps the right time or opportunity has yet to present itself.

The interview, at close to 15,000 words, is very long and for quite a few this is also a barrier to full understanding.  Many people have read only the plagiarised Tumblr extracts, and those themselves were often based on only a partial reading of the text or even simply a secondary, incomplete source.  The majority of those who bothered to follow the links read only the first part of the five part interview, when much of the really interesting stuff lay well beyond the capture of any headline in parts two, three, four and five.  Now everyone thinks they are an expert on Valentina and Russian gymnastics because they have read a few quotes on Tumblr, and all Russian gymnastics' problems are blamed on Valentina.  Which I think is rather unfair to be honest, and accords too much power to a woman who has never spotted a tumble in her life.

If you are one of the people who ploughed through all five parts - and read some of the earlier pieces - and have stayed with me to this point - you get a gold star!  No, five!    Everyone else (said in my best stentorian university lecturer tone) - find your spectacles, and get reading!!  I will give the links at the end of this post (there surely can't be much more for me to say?).  

Could Alexandrov make a difference to Russian gymnastics?

At the end of my interview I asked Alexander if he would ever return to Moscow and Lake Krugloye.  He replied - basically - 'wait and see'.  Shortly after the interview was published I had a discussion with someone who has worked close to the Soviet and Russian teams for many years.  He said something that I found incredible - that he believed that any good coach could deliver results, and that those results were dependent on the availability of talent, not on the identity of the coach.  Nothing really made any difference if there were no talent available, but a talented team would win with any well trained, able coach.   In other words, Alexandrov wouldn't have made much difference, anyway.

Perhaps he was trying to take the emotion out of a difficult situation; and the point is not that much different to one made by Alexandrov himself, that is to say that you cannot train a gymnast beyond the limit of his or her natural ability.  Champions are born, not made.   Then again, without the right motivation, structure and discipline to her training, even the most talented gymnast won't reach her full potential.  And with the right spirit, forged by great team leadership, a team can transcend itself, find confidence and fight for medals when all hope is lost.  This work does not only take place on the competition floor, but in the gym every day.  The coach does make a difference.  But what my friend said is worthy of more thought if we want to decide whether Alexandrov could change things.

He said that the availability of talent was critical - well, Russia had the core of the most talented team on the planet in 2012, and as far as I know all of those gymnasts still have a wish to continue.  But a wish is far from a promise in gymnastics, and any gymnastics team is reliant on its reserves.  Former Soviet supremo Leonid Arkayev believed that the reason for the Soviet team's success during the 1980s was the degree of competition involved in securing a competitive spot at the major competitions.  1981 and 1985 World Champion Yuri Korolev once said that the fiercest competition he ever waged was the Soviet Championships.  1956 and 1960 Olympic Champion Larissa Latynina pointed out recently that in its heyday, the Soviet Cup attracted more than 150 competitors, while today the Russian Cup numbers a measly 24.  

Beyond the top four gymnasts in Russia, there are few, if any, gymnasts who could rival for medals at World Championships.  This year the team has been forced to recall veterans like Kramarenko to the fold to reinforce the reserve.  First year senior, Shelgunova, has not been good enough to call for duty at the big competitions.  In the current crop of juniors, there is not even one strong all around competitor.  Bondareva is the only girl who carries the Russian tradition of classical excellence, but in common with her generation she has too little difficulty.  The others - Kharenkova, for example - are mostly specialists, or at least have distinct weaknesses.  Besides, the transition to senior level is always precarious for these very young girls.

Russian gymnastics has historically harboured a great many very talented juniors, so this depletion of its ranks is unprecedented.  Its eternal weakness has been the ability to bring through its talented juniors to full senior contribution.  Yet in 2010, under Alexander Alexandrov, a team of five gymnasts that included three first year seniors - Mustafina, Nabiyeva, Dementyeva - won the world team gold medal for Russia for the first time in its history.  First year senior Aliya Mustafina, coached by Alexandrov, won the gold all around and qualified to all four event finals.  The team were pushing the boundaries and showing work of a high level of difficulty.

Alexandrov's account makes it clear that as soon as his team began to experience success, the Rodionenkos' jealous actions began, and he was undermined.  With hindsight the symptoms of his alienation could be seen in his own actions - for example, an uncharacteristic decision to expose his athlete Aliya Mustafina to the unnecessary pressure of competing in the American Cup.  It was a risk that did not pay off when she lost, then went on to suffer a serious knee injury in that spring's European Championships.  Alexandrov's alienation was also clear at the 2011 World Championships, when he barely showed his face with his team on the competition floor, the affable Evgeny Grebyonkin, uneven bars coach, taking the front seat.  

All had not been well in the Russian camp for some time and Lake Krugloye was a difficult environment for any coach to thrive in, particularly one who had enjoyed some autonomy and success, and expected respect from his superiors.  Oleg Ostapenko became national junior coach, but resigned somewhat hastily after little more than a year in position, claiming in a letter to Rodionenko that his decisions were overlooked, that he was not kept informed.  He had the option of leaving, and took it, moving back to Brazil.  He was one of five senior coaches in five years who left the national team under Rodionenko's leadership.  Alexandrov's departure was the most public of the five, but was not without precedent.

If there was a common factor in the departure of those five distinguished coaches, it was not only the possibility that they had each been squeezed too hard by Rodionenko's management.  An international market for their skills exists, and with visa restrictions less tight than during the Soviet era, the coaches have a choice of where to work, and do not have to tolerate poor working conditions just to earn a living.  Most would rather stay at home, but many have had to leave Russia to be able to work at all. Here lies yet another fundamental problem for Russian gymnastics - the depletion of its coaching ranks has been unsustainable.  Overseas migration by many, if not most, of the top coaches has mirrored the economic woes of Russian sport since Yeltsin, and has in turn weakened Russia's gymnastics system.  There was a time when the concentration of coaching talent resulted in a real hothouse effect for the development of the sport.  For decades, though, coaches have been relocating all over the world and are now happily settled in new homes, generally not in Russia.  This isn't the fault of the Rodionenkos.

Neither is the fact that to date, the majority of its up and coming coaches have not enjoyed the same quality of education and training as available during the Soviet era.  At one point Rodionenko said that while there was a good selection of general sports coaching degrees available in the whole of Russia, there was only one gymnastics-specific coaching qualification remaining.  I don't know if there are any more today but, presumably, this indicates that the number of individuals wishing to train as gymnastics coaches has made such courses unviable.  More on measures to counter this, later.

Back to the original question : could Alexandrov make a difference now?   My opinion - had Alexandrov been autonomous in his operations throughout his stay at Lake Krugloye, had he been allowed to continue his work post 2010 - perhaps.  Even taking into consideration the problems of resourcing highlighted above, his fighting spirit would make all the difference to the behaviour and discipline of both the gymnasts and coaches.  But now, after two years of being undermined, of his strong psychological influence being diluted,  one year after his final defeat and distancing from the team - probably not.  


Would Russia be better off without the Rodionenkos?

Andrei Rodionenko has largely escaped criticism, thanks to the front line position adopted by his outrageous wife.  But he must bear some responsibility.  Rodionenko's negative charge has been too strong even for Alexandrov.    His influence is pervasive and conservative - the man fears disappointing his funders with poor competitive outcomes relative to the medal predictions they demand, and the unrealistic expectations held by poorly informed government ministers and bankers who, looking to the past, expect Soviet domination to transform itself into Russian gold overnight.  

Sometimes, Rodionenko has taken blame where none should be ascribed - for example in relation to Grishina's scratching from the selection to Worlds this year.  To an extent, though, this was brought on him by the harsh words against Grishina by Valentina Rodionenko that, in the light of other earlier cases, made it appear she was being pushed out of the team unfairly.  Russian gymnastics has hardly disgraced itself in recent competition - the team put up a good fight in Antwerp despite some unlucky circumstances.  But there is a muted battle cry, and this is largely the coach's responsibility.  Perhaps the team's unlucky record of injury explains this, but it is also true that Rodionenko doesn't really seem to like to make too much noise these days.  He seems to be a nervous man, shy of competition.  He would even, according to Alexandrov's account, have seen the Russians avoid the 2011 World Championships altogether if he could.

These are my own words, my own conclusion - he seems to have lost his enjoyment of sports competition.  Or perhaps he knows something about the precarious nature of sports funding in his country - and the likelihood of the results collapsing once the current champions are exhausted.  In other words, he is trying to preserve the physical and moral resources of the remaining few champions - apart from Mustafina, who I suspect is a law unto herself.

Most of the gymternet seems to blame the Rodionenkos for everything bad about Russian gymnastics, but this can't possibly be true, can it.  There are deeper reasons for the WAG team's poor strength in depth, for example, that relate to demographic shifts and funding inadequacies during the Yeltsin era. I have already discussed the mass migration of top gymnastics coaches.  This is a long established matter of fact, but what has the Head Coach done to attract more people into the sport?  In his interview, Alexandrov describes his own efforts to change the requirements for Master of Sport recognition, resisted by Rodionenko but ultimately passed by the sport's Presidium, that make a gymnast eligible to stay in the sport and train as a coach.  It was a key strategy of Alexandrov's, designed to encourage gymnast and coach retention and increase the numbers in the sport.  This seemed like a step forward until a recent open letter from a coach on VK.com highlighted that Rodionenko had now passed regulations effectively to reverse Alexandrov's efforts, making it more difficult to achieve the award, and hence more difficult to remain in the sport.  It is difficult to understand what Rodionenko's reasoning for this change could be, and as far as I know he has not commented in it.

But I'll persist with the line that the Rodionenkos must have some merit.  Russia needs stability, and money, if it is to refresh its flagging fortunes, and the highly connected Rodionenkos seem to bring both.  Alexandrov speaks of their connection by marriage to Minister for Social Policy Viacheslav Fetisov (he has a place on the organising committee of the Sochi Games).  Sports Minister Mutko, who has given the Rodionenkos some problems in the past, supported the renewal of Alexandrov's contract, but could do nothing to stop Valentina in the sensational attacks on her own athletes, the attacks that eventually saw Alexandrov leave Russia.  There is evidently something in the political dynamic between Rodionenko, Mutko and Fetisov - also perhaps Kostin, who as head of Russian Gymnastics sponsors, bank VTB, is also head of the RGF - that makes the Rodionenkos immovable for the time being.  

I do not think Andrei is a bad coach.  The gymnasts seem happy and relaxed around him and I think he is a very gentle coach.  He seems to get on well with the new WAG head coach, the quiet and smiling Evgeny Grebyonkin.  The team has achieved some good results this year.  Perhaps Rodionenko is haunted by the very real possibility of his stars burning out before the 2016 Olympics?  But it seems evident that he does not want to surround himself with the giants, the legendary coaches who are needed if Russia is to inspire its greats and galvanise the good gymnasts, to re-establish itself in the ranks of the gymnastics greats.  And some of the things he has done seem counter productive.

Still, I do not think that creating a power vacuum by removing the Rodionenkos would be a good thing.  Who on earth would take over from him, anyway?  The position is as political as sporting.  Elvira Saadi?  

It is a moot point, anyway, as no one seems likely to sack them.

My new year's wish is for an interview with Andrei Rodionenko so that he can put me straight on all that I have got wrong here. 

Please get your specs out, and start reading.  And I would love to read more comments on this rambling post.

Alexander Alexandrov in his own words

Part One http://rewritingrussiangymnastics.blogspot.co.uk/2013/08/alexander-alexandrov-in-his-own-words-1.html

Part Two http://rewritingrussiangymnastics.blogspot.co.uk/2013/08/alexander-alexandrov-in-his-own-words-2.html

Part Three  http://rewritingrussiangymnastics.blogspot.co.uk/2013/08/alexander-alexandrov-in-his-own-words-3.html

Part Four  http://rewritingrussiangymnastics.blogspot.co.uk/2013/08/alexander-alexandrov-in-his-own-words-4_30.html

Part Five  http://rewritingrussiangymnastics.blogspot.co.uk/2013/08/alexander-alexandrov-in-his-own-words-5.html




Russian Gymnastics - Highlights (and Lowlights) of 2013

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The post-Olympic year has been interesting, and occasionally dramatic, for Russian gymnastics.  An eventful and very busy year for RRG, including a first, but hopefully not last, visit to Russia.  The Russian team participated in three major competitions - Europeans, Universiade and Worlds - two of them in their home country.   The women's team confirmed themselves as Europe's leading gymnastics force.  They were supreme and unbeatable amongst the mature competition at the Universiade, held in the Tatar capital of Kazan.  Even with only one of their leading gymnasts competing - Aliya Mustafina - they managed to finish in second place in the medal count at Worlds in Antwerp this autumn - including that brightly shining gold on beam.  The men's team looked promising, but in the generally stronger international field of play, are locked in a fierce battle for bronze with Germany, USA and Britain.  

Russia lost a jewel in its crown when WAG coach, Alexander Alexandrov, felt forced to walk away from his team and his individual gymnast, Mustafina.  Harsh words had been exchanged, mostly initiated by head coach Valentina Rodionenko.   Alexandrov put a stop to all that when he opened Pandora's Box and told the truths that Valentina didn't.  2013 has been a year when Russia has begun to look at itself, and we still don't know what the outcome will be.  

Russia is finally beginning to acknowledge that its gymnastics system has not emerged from the USSR-Russia transition unscathed, and is attempting to quantify the damage, with the migration of coaches very much in the headlines currently.  But funders want positive publicity for their commitment, and much less emphasis has been placed on the dwindling number of participants in the sport (more critical for the women's programme than for the men) than on the immense investment being made in local and national training centres by bank VTB (majority owned by the Russian government) and the Russian government themselves.  The fragility and conditional nature of current funding arrangements, allied to the increasingly risky nature of the sport, seems to be making the Russian team management nervous and uncertain in both its training and sporting practice.  A careful and conservative nature does not sit comfortably with the aim to win gold in a sport that continually tests the physical and psychological boundaries, and Russia's gymnasts are sometimes looking a little demoralised.

Russia's sporting mega events programme, to be headlined by the Sochi Olympics in the next month and a half, will continue and grow over the coming years, hopefully without any major security problems.  Sport is an important part of Russia's social, youth and economic policy (tourism/infrastructure development).  Gymnastics is traditionally one if its headline sports, but Artistic ('sportivnaya' in Russian) is shrinking in the shadow of its rich big sister Rhythmic, both in medal-winning and popularity stakes.  The domestic audiences for both MAG and WAG are frighteningly small.  

Russia is certainly in a state of 'catch-up', especially within its women's programme, and we just hope that its funders will have the patience to wait on medal prospects in this most unpredictable of sports.  Whether current measures taken by the Russian team will rescue the sport post 2016 is a moot point.  This is something about which Main Coach Andrei Rodionenko and his now departed WAG counterpart, Alexander Alexandrov, have been locked in a strategic struggle.  For now, Rodionenko has the upper hand, but not without some resistance from the ranks of local coaches who train and feed talent into his national team.  They, and Alexandrov, protest that Rodionenko's measures make it much more difficult to qualify to train as a coach, or even to remain in the sport as a competitor.  That isn't taking into account the economic barriers to career participation in the sport that the Head Coach can't control.  

Rodionenko himself doesn't yet seem to have gone public to explain the rationale for these, his changes in the standard for Master of Sport accreditation.  The effectiveness, or failure, of his strategies will probably only be seen after he retires, and while his support from the ranks seems questionable, he appears to hold the whip hand with his bosses at the Ministry of Sport.

Internationally, there have been unprecedented levels of strife between the Russian team management and the FIG.  That nasty spat between Nellie Kim, head of the Women's Technical Committee, and Russian head coach, Andrei Rodionenko, had been brewing for a long time and was about more than a few minor arguments over individual marks.  You only have to read some of the new proposals for the women's floor exercise to understand why the Russians feel such disquiet.  Mustafina herself would not be blamed for taking a career break while all the political dalliances - both within and outside of her country - play out and unravel.  Today, female gymnasts are competing in an environment of endlessly changing goalposts.  

Russia's most decorated gymnast has also been the leading gymnast in the world in terms of her medal count since 2010, and she has regularly been Russia's saving grace in achieving its medal targets.  If Russia does not have her undivided attention on its team in 2014, it may well feel the effects  sooner rather than later, and any lack of discipline in the training will be laid bare.  In 2013, alongside Mustafina, veteran of the 2008 Olympics, Ksenia Afansyeva, looked strong in the early part of the year, shining on floor in her home country twice to take gold medals at Europeans and the Universiade.  Blossoming late in her career, the beautiful Afansyeva seemed determined to complement her classical grace with world-beating difficulty both on floor and vault.  Indeed, had it not been for a nervous beam performance, she had threatened to take gold all around in Kazan; her silver was still a great reward for her, but her growing promise for Worlds was stifled by that untimely ankle injury.

Injury has continued as a major theme in the Russians' Yearbook, and even the Americans seem to be in agreement that the Code needs more emphasis on technique, and less on difficulty, to reduce the injury rate (see USA team doctor, Dr Larry Nassar's, interview).  The Russian girls have been riddled with various physical problems - Komova's meningitis, Mustafina's recurrent back, knee and heel problems and a virus infection that just wouldn't go away, a nagging ankle injury for Afanasyeva, a back injury to Grishina, and a horrible accident just prior to Worlds to Nabiyeva, that made her look as if she had been in a boxing match.  

The team has seen the retirement of outstanding gymnasts, Anna Dementyeva and Tatiana Nabiyeva.  Komova was all but invisible, and most of the gymnastics we saw from the rest of the team seemed to be 'work in progress'.  The women's team looked well prepared and relaxed in Antwerp, but questions were raised about their physical fitness and discipline.  Even on the generally better motivated men's team, we saw Olympic team captain Emin Garibov take a quiet year as a specialist on high bar and parallel bars, while he worked up difficulty on the other pieces.  Russia's MAG all arounders were significantly strengthened by the addition of Ukrainian migrant Nikolai Kuksenskov to their ranks.  He and David Belyavski took two of the three major all around titles up for grabs in 2013, but both were tired and injured in the most important competition, Worlds.  We will wait to see if 2014 brings better luck - and a better, more manageable, competitive programme for its seniors.

Even so, Russia had quite a good year, and still looks competitive on the international scene.  Its gymnastics maintains an international appeal, and its gymnasts regularly win awards and popularity polls both within Russia and the wider world.  With better focus and discipline, and contributions from some of those promising juniors we have been watching for a few years, who knows what the teams might achieve in 2014?  Congratulations to the Russian team for all the have achieved in 2013.  May good luck and happiness follow you in 2014!!!

Picture credits : courtesy of Aliya Mustafina fan page on VK.com and the RGF.



Elena Kapitanova remembered - a great choreographer

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Olga Mostepanova does her daily work at the 'stanok' or barre.  Novosti

Elena Kapitanova, a choreographer who worked at the Moscow Dynamo gymnastics club for over thirty years with such stars as Olga Mostepanova and Maria Filatova, recently passed away.  She was, of course, greatly loved by her family - husband Viktor (RIP) and children Yulia and Vladimir - and leaves behind her a legacy of unforgettable gymnastics, much of which represents the best of a golden era of the sport.

Great choreography was at the heart of the Soviet aesthetic of women's gymnastics.  The daily attentions of a choreographer transformed gymnastics from the execution of skills to the performance of an aesthetic; a simple cartwheel could become an expression of delight, joy, a journey into the realms of expression.   Many of us dream up floor routines, but the mystical powers of the choreographer go beyond the meshing of gymnastics and music into the realm of emotional evocation.  A good choreographer can make a good gymnast look very good.  A great choreographer can make a great gymnast transcend her abilities, and produce gymnastics that forms lasting memories.

Elena Kapitanova, one of the best choreographers Russian gymnastics ever had, was one of these special choreographers, someone who described herself as a kind of 'sculptor' of gymnastics.  Out of sight of the gymnastics spectator, Kapitanova worked hard, expressing her creative imagination and producing works of gymnastic art that remain unmatched to this day.  You will definitely remember some of her work.

Kapitanova herself expressed the role of the choreographer best in an interview with Vladimir Zaglada (2010).
Floor routines have to be designed based on the principle of just the right proportions of all components: dance elements, jumping and tumbling combinations, plastique, and visual effects.  Too much of any of these components can leader to a lacklustre floor routine.  This is why you have to strive to have someone flexible, while remaining flexible, show herself off in tumbling and work on increasing the level of difficulty, and have a girl who lacks extension and seems a bit wooden jumping high, so that she will stretch out as quickly as possible, and get someone who lacks the ability to 'act' during floor routines to start acting like a star of the stage.

There are few sources on Elena.  If you remember her, please leave a comment, or send a photograph to me at rewriterussiagym@btinternet.com.

Finally, I'll let Elena's work speak for itself, in the work of three very different gymnasts, Maria Filatova, Olga Chudina and last, but not least, Olga Mostepanova.  Olga, in an interview with this blog this summer, cited Elena as one of the most influential people in her gymnastics career.  Listen to the commentary on this video from 1983 - Elena's name is mentioned at the very end.





Find Maria Filatova's 1976 floor routine here.



Gymnastics - Russian national teams 2014

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Just a quick note to say that the Russian Gymnastics Federation has now published lists of the national teams.  As usual, JAS has transcribed these in full at her blog here.

Don't be confused too much.  These lists are changeable, and sometimes out of synch with reality.  In the past, retired gymnasts have appeared on these lists for up to a year after their withdrawal.  Nabieyeva's name still appears here, for example.

Given the chance that people may change their minds, keeping the list flexible probably isn't a bad strategy.

JAS tells me that Ekaterina Baturina has decided she does not want to compete internationally any more, and that Anastasia Sidorova is still at home recovering from that back injury, but determined to make it back into the national team.  

As expected, Maria Kharenkova and Viktoria Kuzmina have joined the senior ranks.  It will be interesting to see how they both progress.

Viktoria Komova is back training at Round Lake - see a video here.

Good luck to all the gymnasts, whatever their future plans, we look forward to supporting them in the coming year.  

I will have a look at the coaches' lists in the coming weeks and report anything I see.  It usually takes the RGF a little while to update the corresponding website which often adds information, so please bear with us.

The Russian language complete list is here

With thanks to fanofmusty for the gorgeous picture of Aliya Mustafina, which lifts a quote from a radio interview with Russia's leading gymnast - English language translation here -


Picture of a Tatiana Nabiyeva coaching at home in St Petersburg - with many thanks to Tanya's personal VK.com account ... Hopefully we will keep sight of Tanya as she develops her career!
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